Portraits and connections.
"A portrait photographer depends upon another person to complete his picture. The subject imagined, which in a sense is me, must be discovered in someone else willing to take part in a fiction he cannot possibly know about."
-- Richard Avedon
This sums up my entire current preoccupation with portrait photography. As I read more about Avedon's work, I am increasingly fascinated by the connection he builds between photographer and subject.
In a way this wordless connection strikes a deep chord with me as an introverted person. This doesn't just describe portraits. For me, it describes the underpinnings of how I relate to other people.
At first I wondered if a difficulty connecting with others in everyday life would beget a similar difficulty in pulling the "subject imagined" from those I photograph.
The answer, I think, lies in the integrity of that wordless connection. As I watch people from afar, am I imagining my perceptions of them? If they don't reciprocate of even know about the connection I feel, is it real?
Or, do I understand people well but just have trouble expressing myself to them? If this is the case, one could argue my portraits of people are a window to how I see/understand them.
-- Richard Avedon
This sums up my entire current preoccupation with portrait photography. As I read more about Avedon's work, I am increasingly fascinated by the connection he builds between photographer and subject.
In a way this wordless connection strikes a deep chord with me as an introverted person. This doesn't just describe portraits. For me, it describes the underpinnings of how I relate to other people.
At first I wondered if a difficulty connecting with others in everyday life would beget a similar difficulty in pulling the "subject imagined" from those I photograph.
The answer, I think, lies in the integrity of that wordless connection. As I watch people from afar, am I imagining my perceptions of them? If they don't reciprocate of even know about the connection I feel, is it real?
Or, do I understand people well but just have trouble expressing myself to them? If this is the case, one could argue my portraits of people are a window to how I see/understand them.
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